Wondering about the best cameras for photographing Yellowstone National Park? You are not alone! Yellowstone National Park, with its stunning landscapes, geothermal wonders, and abundant wildlife, is a photographer’s paradise.

I have spent countless hours over the past 30 years photographing Yellowstone, and since my nature guide/travel writer wife and I live here with our family, we are asked to give our friends and visitors Yellowstone camera recommendations on all the time. 

Whether you’re a seasoned pro or just getting started with your camera, Yellowstone offers countless opportunities for breathtaking shots. In this guide, we’ll explore essential tips and tricks for photographing Yellowstone National Park and help you choose the best camera for your adventure.

traveler takes pictures Grotto Geyser eruption at Upper Geyser Basin in Yellowstone National Park, USA

 Preparing for Your Yellowstone Photography Journey

Research and Plan Your Itinerary

Before setting off on your Yellowstone photography adventure, take some time to research the park. Familiarize yourself with its unique features, wildlife hotspots, and seasonal variations. Plan your itinerary accordingly to maximize your photo opportunities. For instance, when is the best time to see wolves (winter), and where is the best place to get a photo of Grand Prismatic (Fairy Falls Trail overlook)? We have a post on the best photo opportunities in the park. 

I have all the Yellowstone itineraries you need in my shop!

Timing Is Everything

The golden hours—early morning and late afternoon—are prime times for capturing Yellowstone’s beauty. The soft, warm light enhances your photographs and creates a magical atmosphere. Additionally, wildlife is often more active during these hours, increasing your chances of capturing captivating moments. 

Pack the Right Gear

Your choice of camera and equipment can greatly impact your Yellowstone photography. Consider investing in a camera with good low-light performance and versatile lenses. A sturdy tripod is essential for long-exposure shots, and don’t forget spare batteries and memory cards.

close up of moose with green background

Mastering the Art of Wildlife Photography in Yellowstone

Keep a Safe Distance

Yellowstone is home to a diverse range of wildlife, from bison to bears. Always maintain a safe distance and use telephoto lenses to get close-up shots without disturbing the animals or putting yourself at risk. It’s also the law. Conditioned wildlife are more likely to die by auto and be euthanized in the name of public safety.  If you time your trip right (see above) and have the right camera equipment, you will be able to get with easy and safe range.

See the Ten Mistakes Yellowstone Visitors Should Avoid.

Patience Is Key

Wildlife photography in Yellowstone requires patience. Animals may not always cooperate, so be prepared to wait for the perfect shot. Spend time observing their behavior and anticipate their movements. Also, be prepared to share the space with others. It’s a popular park for photography.

Capture Action Shots

To capture dynamic shots of animals in motion, use a fast shutter speed and continuous shooting mode. It may take extra time when editing all those shots but this will help freeze the action and increase your chances of getting that perfect shot.

colorful, bubbling hot spring in yellowstone national park

Navigating the Geothermal Marvels of Yellowstone

Protect Your Gear

Yellowstone’s geothermal areas can be harsh on camera equipment due to the steam, sulfur, and extreme temperatures. The steam also contains micro bits of silica which can play havoc with moving parts over time. Protect your gear by using lens hoods, filters, and camera rain covers when exploring these areas. Also, make sure not to drop bits of trash such as lens wipes. You can’t leave the boardwalk (safely or legally) to get them back.  We like to carry several of the reusable cloth microfiber cloths.

Experiment with Composition

The unique geothermal features offer endless opportunities for creative compositions. Experiment with angles, foreground elements, and reflections in the hot springs and geysers to capture truly mesmerizing images. Try shooting at ground level and holding the camera up high for a few. Think about using trees and rocks to frame your subject. Deleting bad shots is easy but you can’t get a good shot if you don’t take the photo.

mammoth terraces in Yellowstone with hot water flowing over top

Choosing the Best Camera for Yellowstone Photography

Mirrorless Cameras

Mirrorless cameras are a popular choice among photographers in Yellowstone due to their compact size and exceptional image quality. Models from Sony, Fujifilm, and Canon offer excellent options for capturing the park’s beauty. The photography industry is moving more and more towards mirrorless.

DSLR Cameras

Traditional DSLR cameras are still favored by many photographers for their ruggedness and versatility. Nikon and Canon offer a wide range of options to suit various budgets and skill levels.

Smartphone Photography

Don’t underestimate the power of your smartphone. With advances in mobile camera technology and adaptors, you can capture stunning photos in Yellowstone, especially for spontaneous moments and quick shots.

Best Cameras for Photographing Yellowstone 

Yellowstone's Breathtaking Waterfall View of the Upper Falls of the Yellowstone

Top 6 Cameras for Yellowstone

  1. Sony A1
    1. a6700
  2. Canon R3
  3. Lumix G9ii
  4. Sony Cyber-shot DSC-RX100 VIIPanasonic Lumix DC-ZS80 Digital Camera 
  5. Canon PowerShot SX70 HS Digital Camera
  6. iPhone 15Pro
The best camera for Yellowstone is The Sony A1 Mirrorless Camera

The Sony A1 Mirrorless Camera.

Sony cameras run a little pricier than others and the same goes for their lenses. However, they have tremendous quality and technology. Their flagship a1 mirrorless camera comes with a Full Frame 50 Megapixel sensor that can shoot at 30 frames per second of up to five seconds in compressed raw. 

The camera also has a Fast Hybrid AF system that incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in all sorts of lighting conditions. 

In addition, those telephoto action shots will benefit from the camera’s 5-axis SteadyShot INSIDE image stabilization system. This camera is a powerhouse. The a1 has a dual slot system using CFexpress Type A and SD.

You will want to rent or buy a good long lens for this camera as well as an ultra-wide for landscape and thermal features. Sony has a 200-600mm telephoto lens but you can save some money by going with the Sigma 150-600 which you can get to fit most camera mounts and/or an adapter. For wide angle, I love the Rokinon/Samyang 14mm f/2.8 with Autofocus. Again, you can get this lens for many camera formats.

If the a1 is out of your price range but you like Sony cameras, take a look at the APS-C sized a6700. It has many of the same features for much less. The smaller sensor can be a good thing for reaching out there with wildlife because it multiplies the lens by 1.6x. But, it can be a bit constricting when shooting wide angle.

See more reviews and prices for the Sony A1.

Canon R3 body for Yellowstone

Canon R3

The Canon R3 body runs a bit less than the A1 but has many of the great features. Personally, I love the native color science of Canon but that is very subjective and you can tweak all of these high end cameras if you want to dig deep into the settings.

This full frame camera has a smaller resolution at 24mp but this means it should be a bit better in low light, and the ISO rating on the Canon is also higher. If you like astrophotography, this one might be a better bet. 

It too can shoot 30fps for up to about 150 raw frames and Canon has its own version of 5-axis image stabilization to keep your shots nice and sharp. 

The body has a bit more (90 grams) heft but not significantly, especially if you are putting big lenses on it. The R3 also has a dual slot system with CFexpress Type B in Slot 1 and SD/SDHC/SDXC in Slot 2.

See more reviews and prices for the Canon R3.

Lumix G9ii camera body

Lumix G9ii

Stepping down in sensor size and price, the Lumix G9 ii is a happy medium of price and performance. The Panasonic camera has a micro 4/3 sensor which brings its low light potential down but it still offers some great performance.

At 25mp, its resolution is actually a bit more than the Canon R3 and it’s the lightest of the camera bodies we’ve seen so far. The micro 4/3 2x crop can also be good for those long-range shots. 

This camera shines, though, when shooting bursts at 75 fps for up to 200 frames. So, not as long as the other two but, wow, that’s a lot of images! The camera stores its image in a dual slot system that accepts SD/SDHC/SDXC cards.

See more reviews and prices for the Lumix G9ii.

Point-and-Shoot Cameras for Yellowstone

Sony Cyber-shot DSC-RX100 VII camera

Sony Cyber-shot DSC-RX100 VII

First we’ll take a look at the Sony RX100 VII. We’ve used the RX100 III for a long time now and it still holds up. The form factor makes it easy to use on our travels when we don’t want to carry the big cameras around

The VII seems to be even better with lots of updates. It has a 24-200mm equivalent zoom range but is small and compact. It shoots 20MP resolution in JPEG and Raw and has an on-sensor phase-detection AF system that dramatically improves autofocus speed. 

This camera has a fixed lens but it has a pretty wide aperture and can shoot 20 fps in RAW and 90 fps JPEG. It has a tilted touchscreen on the back and weighs in at less than 11 ounces. It’s a great little camera by a great company.

See more reviews and prices for the Sony RX100 VII.

Panasonic Lumix DC-ZS80 Digital Camera 

Panasonic Lumix DC-ZS80 Digital Camera 

Another good point-and-shoot is the Lumix DC-ZS80. The price point on this and the next camera are very competitive. The form factor on the ZS80 is quite similar to the RX100 with the fixed lens and tilting screen. 

However, this camera has a smaller sensor size with less light sensitivity for those low-light conditions. On the upside, it packs a lot more reach with its lens with 24 mm-720 mm equivalent (to a full frame sensor). That can come in really handy for those long-range shots. However, because the camera is so compact and light, you will probably want to get a lightweight tripod for those full zoom shots.

See more reviews and prices for the Panasonic Lumix DC-ZS80.

Canon PowerShot SX70 HS Digital Camera

Canon PowerShot SX70 HS Digital Camera

If you are looking for the most zoom for your buck, the Canon PowerShot SX70 HS might fit the bill. It’s a bit more than the Lumix above but the zoom equivalent is 21mm to 1365mm. That’s about twice the Lumix and 6 times the Sony RX100 VII and a little bit better on the open end too.

This camera body also has a form factor similar to the big pro cameras mentioned above but with a fixed lens. It’s light sensitivity and sensor size are pretty much the same as the DC-ZS80 which is not great for stars but perfectly adequate for daylight shooting. My dad has one of these and I can tell you the zoom will take you up close and personal with your subject but, again, for this reason, you will want something to stabilize the camera for these types of shots. Move the camera just one degree at that zoom and the image will shift by feet.

See more reviews and prices for the Canon PowerShot SX70 HS.

Bonus Camera

iphone 15 pro for Yellowstone

iPhone15 Pro

The best camera for taking pictures is the one you have on you. We all have phones these days and the photo quality can vary. The iPhone 15Pro appears to have some pretty good photo specs so I’m including it. 

With 48mp on the main camera, photos are plenty detailed. You can also shoot Raw photos, Jpeg, and HEIC. The other two cameras in the phone (yep, three lenses on the back) are 12mp which is still pretty good. The ultra wide lens is 13mm equivalent and I love this lens. It just gives a different feel than the standard 24mm that everyone seems to use. 

The telephoto lens is 3x zoom or 77mm equivalent which isn’t huge but you can punch by cropping the image or buy an adapter (more on that in a bit). You can also set it up to do portrait mode after the shot. 

Seriously. The software available in this phone kind of blows my mind. You can also have the phone GPS tag your photos and use the software to create some pretty impressive night sky photos. And, oh yeah, it’s a phone too.

See more reviews and prices for the iPhone15 Pro.

Bonus Bonus – Phone Adapters

With the proliferation of camera phones, lots of innovators have developed some fun adapters to make them even more powerful. I haven’t tested these but they are mostly pretty affordable so it might be worth a try. 

Here are a few:

Dealing with Weather and Seasonal Variations

Yellowstone’s weather can be unpredictable, even during the summer months. Be prepared for sudden changes in conditions. Here are some tips:

Photographing in winter in Yellowstone bison in front of a stone arch

Embrace the Elements

Rain: Invest in a waterproof camera cover or use an umbrella to protect your gear while shooting in the rain. Rain can create beautiful reflections and enhance colors. Most higher-end cameras are weatherized but not all. It’s good to protect that investment.

Snow: Snowfall can add a magical touch to your photos. Be sure to use a lens hood to prevent snowflakes from landing on your lens. Adjust your exposure to compensate for the brightness of the snow.

Fog: Fog can create an ethereal atmosphere. Shoot in black and white to emphasize contrast or use a wide aperture to create a dreamy, soft-focus effect.

Seasonal Variation

Spring: Focus on the reawakening of the park, with budding trees, vibrant wildflowers, and newborn wildlife. Baby elk and bison in later spring follow bears emerging from their dens and feeding on the carcasses of the animals that didn’t make it through the winter snows. Sandhill cranes will arrive and begin to pair up and cutthroat trout will spawn in smaller creeks.

Summer: Capture the park in its full splendor, with lush greenery, active wildlife, and long daylight hours for photography. This is the time to get there early and stay late. Crowds will be thick in the middle of the day but the contrast will be harsh as well. In August, you might catch the bison rut with their bellowing calls and the dust clouds stirred up by their epic clashes.

Fall: Embrace the vibrant fall foliage as the park’s landscape transforms into a tapestry of reds, oranges, and yellows. Bull elk will bugle as they rut and the pronghorn bucks will be protecting their harems. The crowds will thin out a bit and the crisp frosty weather brings some excitement.

Winter: Explore the park’s serene beauty, with frozen waterfalls, steaming geysers, and wildlife adapted to the cold. Now is the best time to find wolves. They will come down from the high country and are often out in the open. Bison will use their massive heads to clear snow from the grass below and their breath forms steam clouds similar to the geysers. Be sure to check the Yellowstone Winter Packing List before you go.

photographing stars in Yellowstone astrophotography

Night Sky Photography

Yellowstone’s dark skies offer fantastic opportunities for astrophotography:

Best Locations & Light

Yellowstone Spots: The Lamar Valley and Hayden Valley are excellent spots for stargazing due to their remote locations and minimal light pollution. Shooting around Old Faithful with geysers in the foreground can be pretty spectacular. Plan your Old Faithful visit here.

Moon: Plan your night photography around the phases of the moon. New moon nights offer the darkest skies.

Watch Your Lights: Be respectful of others by keeping flashlights to a minimum and try to find a place where headlights won’t sweep across the frame.

Camera Settings

Lens & Aperture: Use a wide-angle lens with a fast aperture (f/2.8 or lower) to capture more stars.

Exposure: Experiment with exposure times, but start with 20-30 seconds to prevent star trails. 

Stability: A sturdy tripod and a delayed or remote shutter release are essential for long-exposure shots.

Special Settings: Learn if your camera has some form of long exposure compensation or black-balance to minimize sensor noise.

boy looking at a blue hot spring in Yellowstone

Landscape Photography Techniques

Mastering landscape photography in Yellowstone involves capturing the grandeur of its natural features:

Compositional Tips

  • Use leading lines, such as rivers or roads, to draw the viewer’s eye into the image.
  • Frame your shots with natural elements like trees or rock formations to add depth and context.
  • Experiment with different angles, including low angles to emphasize foreground elements.

pine needles with snow on top

Capturing the Essence of Yellowstone

Don’t forget to focus on the park’s smaller details! Wildflowers, insects, and intimate landscapes provide opportunities to showcase Yellowstone’s rich biodiversity and delicate ecosystems. You don’t have to go far from the trailheads to find relative quiet and ample flowers all through the spring and summer.

Safety Tips for Photographers

Safety should always be a top priority when photographing in Yellowstone:

Wildlife Safety

  • Always carry bear spray and know how to use it. Make noise while hiking to alert bears to your presence.
  • Maintain a safe distance from all wildlife. Use long lenses to get close-up shots without getting too close.
  • Be cautious around bison. They may appear docile but can be unpredictable and dangerous. They can outrun just about every animal in the park including you.

Geothermal Safety

  • Stay on designated boardwalks and trails when photographing geothermal features. The ground can be dangerously thin in some areas. And, it’s illegal to walk out on them.
  • Be aware of steam and gases. They can damage your camera equipment and pose health risks.

Photography Permits and Regulations

While Yellowstone is a photographer’s dream, it’s essential to be aware of and adhere to park regulations:

Photography Permits

  • Commercial photographers may require permits for specific activities, such as workshops or selling photos. Check with the park service for the latest permit requirements.
  • Drones are generally not allowed in national parks, including Yellowstone. Respect this regulation to preserve the park’s tranquility.
  • Respect the wildlife and keep a safe distance. Disturbing animals is not only unethical but also illegal.
  • Be cautious when photographing geothermal features. Follow marked paths and avoid walking on fragile thermal ground.
  • See park details here: Yellowstone National Park Film Permits

Image of a women holding umbrella over photographer head while taking photos of small lake in pouring rain

Recommended Photography Workshops and Tours

Consider joining local photography workshops or guided tours:

  • Yellowstone National Park offers ranger-led photography programs during the summer season, providing valuable insights and access to unique shooting locations.
  • Numerous private photography tours and workshops are available, led by experienced photographers who know the park inside and out.

Post-Processing Your Yellowstone Photography

When editing your Yellowstone photos, aim for a natural and realistic look. Avoid over-processing, which can detract from the park’s inherent beauty. Software like Adobe Lightroom and Photoshop can help enhance your images while maintaining their authenticity.

Enhance your Yellowstone photos through post-processing:

Creating Panoramas

  • Stitch multiple images together to capture expansive landscapes. Software like Adobe Lightroom and Photoshop can help merge photos seamlessly.

HDR Photography

  • Combine multiple exposures to capture a wide range of light. HDR techniques are useful for scenes with extreme contrast, such as sunsets or geothermal areas.

Removing Distractions

  • Use content-aware tools to remove unwanted elements from your photos, maintaining the park’s natural beauty.

Recommended Photography Books and Resources

Expand your knowledge and inspiration with these recommended resources:

Book Cover for Photographing Yellowstone National Park; Where to find the perfect shots and how to take them. A geyser spews steam on a summer day causing a rainbow.

  • Online photography forums and social media groups can be great places to connect with fellow photographers, share your work, and seek advice.

Photographing Yellowstone National Park is an incredible journey that allows you to capture the park’s breathtaking beauty and unique natural wonders. 

With the right preparation, equipment, and techniques, your Yellowstone photography adventure is sure to be a memorable and rewarding experience. 

Whether you’re an amateur or a seasoned pro, Yellowstone offers endless opportunities to create stunning images that will be cherished for years to come. So, grab your camera, venture into the wild, and start photographing Yellowstone!

I hope this helps you choose the best cameras for photographing Yellowstone for you!

FAQs About the Best Camera for Yellowstone

Q: What camera is best for Yellowstone National Park?

A: The best camera for Yellowstone National Park largely depends on your photography style and budget. Mirrorless cameras from brands like Sony, Fujifilm, and Canon are popular for their compact size and image quality. Traditional DSLR cameras from Nikon and Canon are also reliable choices. Ensure your camera has good low-light performance, as conditions can change rapidly in the park. Read this article for our picks.

Q: What lens should I bring to Yellowstone?

A: When visiting Yellowstone, it’s essential to have a versatile lens kit to cover various photography opportunities. A general-purpose zoom lens with a range like 24-70mm is a good starting point for capturing landscapes and wildlife. Additionally, a telephoto lens with a focal length of 200mm or longer is ideal for close-ups of wildlife (See Sigma 150-600 above), while a wide-angle lens can help you capture the park’s grand vistas effectively. While we prefer the full frame 14mm, slightly narrower lenses such as a 16mm to 24mm can work well too.

Q: What is the best lens for wildlife photography in Yellowstone?

A: The best lens for wildlife photography in Yellowstone is typically a telephoto lens with a focal length of 200mm or longer. This allows you to capture detailed shots of animals from a safe distance without scaring them. Lenses in the range of 300mm to 600mm are particularly useful for Yellowstone’s larger wildlife, such as Moose, elk, and wolves.

Q: How do you photograph Yellowstone National Park?

A: Photographing Yellowstone National Park involves careful planning and consideration of its unique features. Scroll up for an overview of how to photograph Yellowstone. And find out all the fun things to do in Yellowstone in this post.

More Tips for Visiting Yellowstone